Someone on the Velvet Forum posted these pictures of Lou Reed, taken at Max's Kansas City, NYC. Nobody is sure of either the photographer or the exact date. Any ideas?
Saturday, March 31, 2012
American Trash
Ya know, it's always good to be proud of who you are and acknowledge where you came from. However, I don't understand why some people choose to be proud of being third class. No honor, no integrity, just sort of an "I was born in shit and I live in shit and I'm proud" attitude. I've met rednecks with that attitude as well as ghetto thugs - they're different sides of the same coin.
Well, why are you proud? Shouldn't you wanna better yourself? Shouldn't you want to get out there and show the world what you're capable of? Imagine if Muhammad Ali would have said, "I'm a poor negro from Kentucky and that's what I'm gonna stay!" Or if Steve Jobs would have stayed put and not try to change the world...
Well, in America we have the "redneck," which stereotypically is someone who is uneducated, not very bright, lives in a trailer, doesn't care for blacks or Mexicans, and drinks a lot of beer. Every country has their own "redneck," I suppose.
That said, rednecks have a history of makin' good music, and Rebel Son is right here singin' the praises of bein' a redneck. Like it or hate it, you better respect it!
Wednesday, March 28, 2012
Night Out In London (11/2010)
On
my first night staying in London, my friend Gavin met me at the hotel -
the Kensington Hilton - and we went out for an evening of food and
drink. Here's the tube receipt from our trip out.
Sunday, March 25, 2012
"Teen Idol" Version of Steven Patrick Morrissey
Much thanks to Flax and Aly for letting everyone know these pics are up on ePay and removing the watermarks!
Saturday, March 24, 2012
DKT-MC5 & Primal Scream - "Black To Comm" Box Set!
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| Photo lovingly taken from the Monkey-Picks blog - VISIT HIM! |
First I'll give ya the details from the Easy Action website:
The complete performances by two of the world’s best and most
renowned rock n roll bands captured on film using a 5 camera shoot and
‘surround sound’ performing in front of one audience. Shows like this
rarely happen in rock n roll history but we caught this one and this is
the documentative evidence of one the most explosive rock n roll gigs to
be seen in decades!
Over two and a half hours of none stop premiere rock n roll
The legendary MC5 Davis Kramer Thompson played their final ever show in July 2011with the Stooges this being the only show they have done since this concert. Primal Scream have their profile higher now than it has been for ten years with the re issue and world tour of their seminal album “Screamadelica”!
The set list is pulsating with classic rock tracks such as ‘ Ramblin’ Rose’, ‘ Kick out the Jams’, ‘Looking at You’ , ‘Movin on up’ , ‘Accelerator’ , ‘Rocks’ ‘Sister Anne’, ‘Shoot Speed Kill Light ‘ and the encore sees BOTH bands on stage together for half an hour with guest and former MC5 manager John Sinclair. Handling lead vocals for the MC5 on this night was William Duvall ( Alice in Chains)
The Special package includes a 2xCD set of the complete show, plus a substantial booklet featuring photos from the concert and extensive liner notes by Primal Scream confidante Kris Needs including interviews with Bobby Gillespie and Mike Davis. This will also be housed in a de luxe package of 3 gatefold card sleeves with the booklet inside a specially designed box
The cover artwork is a painting by the late and very great and hugely missed MC5 bassist Mike Davis based on a sketch that was done whilst on the road in the sixties then redone exclusively for this release.
Over two and a half hours of none stop premiere rock n roll
The legendary MC5 Davis Kramer Thompson played their final ever show in July 2011with the Stooges this being the only show they have done since this concert. Primal Scream have their profile higher now than it has been for ten years with the re issue and world tour of their seminal album “Screamadelica”!
The set list is pulsating with classic rock tracks such as ‘ Ramblin’ Rose’, ‘ Kick out the Jams’, ‘Looking at You’ , ‘Movin on up’ , ‘Accelerator’ , ‘Rocks’ ‘Sister Anne’, ‘Shoot Speed Kill Light ‘ and the encore sees BOTH bands on stage together for half an hour with guest and former MC5 manager John Sinclair. Handling lead vocals for the MC5 on this night was William Duvall ( Alice in Chains)
The Special package includes a 2xCD set of the complete show, plus a substantial booklet featuring photos from the concert and extensive liner notes by Primal Scream confidante Kris Needs including interviews with Bobby Gillespie and Mike Davis. This will also be housed in a de luxe package of 3 gatefold card sleeves with the booklet inside a specially designed box
The cover artwork is a painting by the late and very great and hugely missed MC5 bassist Mike Davis based on a sketch that was done whilst on the road in the sixties then redone exclusively for this release.
Massive Attack organized the 2008 Meltdown Festival and was able to bring Primal Scream (huge MC5-heads) and the Davis/Kramer/Thompson version of the 5 (DKT/MC5), who both put on blistering sets, culminating in a final 4 songs with both bands playing each others' songs together. Sure, Kramer's voice is a bit tired, but his guitar sure ain't! And how do you replace Rob Tyner? Well, you don't...but you do get Alice In Chains singer William DuVall who does a fine job. Actually, he sounds like Tyner with a little less vocal range. He puts everything he has into the performance and by the time the show is over (as evident on the DVD) he is completely spent.
Today's Vinyl Purchase: Bow Wow Wow - "I Want Candy"
Ah, it was 25% off day at Blue Groove Soundz and I decided to drag my boys out there so I could check the inventory. I'll say this: Next time I go it will be when the wife can watch the kids...I was ready to strangle both of them! I even said to the woman working the register, "I remember when I could just look at albums quietly for hours on end...(sigh)." Well, I am promising myself I will make that happen a lot more, sooner than later.
Anyways, I grabbed this tasty 80s platter for just a few bucks. In yet another slimy move by master Svengali Malcolm McLaren, three members of Adam & The Ants were convinced to leave Adam and form a new band, and the girl found to front this band was 14-year old sexpot (!!) Annabella Lwin. Unsurprisingly, "I Want Candy" (their only hit here in the US) sounds exactly like A&TA did at the time, specifically the rhythm section.
And compare that to an Adam & The Ants track:
Sunday, March 18, 2012
Becoming Johnny Ramone (via NYmag.com)
By Johnny Ramone, From His Posthumous Autobiography (as posted on NYTimes.com)
For all my success with the
Ramones, I carried around fury and intensity during my career. I had an
image, and that image was anger. I was the one who was always scowling,
downcast. I tried to make sure I looked like that when I was getting my
picture taken.
When I was younger, I was ready to go off at any time. My
wife, Linda, and I would go out to the Limelight in New York, and I
would see people and be able to freeze them with a look. People were
even too scared of me to tell me that people were scared of me.
I never felt out of control. It was just the way I lived my
life. I was the neighborhood bully. I even beat up Joey, our singer, one
time, before we were in the band. He was late to meet me—so I punched
him. I was 21; he was 19. We were meeting up to go to a movie. There was
no excuse for being late.
Tommy, Dee Dee, and I would go out
to the clubs, which is really how the band got started. We were all
friends. We had the same musical tastes, and we liked to get dressed up.
Those were in the glitter days.
We lived in Forest Hills, and my parents were working class
all the way. My father was from Brooklyn, he had three brothers, and
they were all tough guys. They’d sit around our kitchen table and drink
and talk about things like construction work and baseball. So, with all
that macho stuff, they weren’t all that happy when I started to get
really into music.
Tommy, Dee Dee, and I would go hang out at this place on
Bleecker Street called Nobody’s. One night, the New York Dolls were
hanging out there. They were already a band, but I hadn’t seen them yet.
I pointed to Johnny Thunders and told Tommy that he looked cool. Tommy
said that the band was terrible. But I knew, looking at him, that there
was something there. To me, it’s always been about the look.
Tommy really wanted us to form a band, and he would be
manager, and it would be this primitive thing. I’d say, “Oh that’s
ridiculous, I want to be normal.” But he kept bugging me, and finally it
turned into “Oh, now I have to actually do it?”
I wasn’t a rock star, but I liked to dress well. I was six
feet tall and weighed about 150 pounds, so I could wear a lot of things.
I didn’t spend a lot of money on clothes, but would always find stuff I
thought was cool. I would get my clothes made at Granny Takes a Trip. I
would have them make me velvet suits; I wore snakeskin shoes, chiffon
shirts. I was working a construction job, and my life was putting on my
jean jacket and going to work with all these union tough guys, then
going home, changing into whatever clothes I was into at the time and
driving into the city to see a show.
I went through phases. In high school, I always looked toward
Brian Jones to see what he was wearing and then tried to find the
closest thing. I thought he was one of the best dressers in rock and
roll. Corduroy pants and corduroy shoes and striped shirts and striped
T-shirts. There was a two-year period where I would wear jean jackets
with no shirt, jeans, a tie-dyed headband, and a tie-dyed scarf around
my waist. I always wanted to be the best-dressed person anywhere I went...
[This blog entry was posted using the NY Magazine's "share this with friends" function. The full article can be viewed by clicking the link at the top of this entry.]
VH1's 100 Greatest 80s Songs
I gotta say that having come of age in the 80s, in retrospect most mainstream music was pure shit. This VH1 collection absolutely proves it. Sure, there are a few golden nuggets, but by and large (probably 80 out of the 100) are garbage tunes that haven't aged well - at all. Don't get me wrong, some of those crap tunes have a special place in my heart and can ignite a certain degree of sentimentality (Toni Basil's "Mickey" is a good example), but honestly - is it a great song that has aged well? No. For every "Welcome To The Jungle," there are about 8 "Only In My Dreams," by Debbie Gibson.
Saturday, March 17, 2012
This Lady Takes Her Deodorant SERIOUSLY
My god, this lady is so concerned she may invade your private space with body odor that she uses a deodorant that magically senses when you MOVE and then it activates its anti-stank molecules! Thank god Charlene put this up on YouTube. Umm...dont your armpits sweat constantly - when you are moving or not - unless you walk around with your pits exposed and your arms up in the air? Why am I even commenting on this crap? Sorry I wasted your time.
John Bonham Is Alive, But Plays With A Shit Band
Oh, how the mighty have fallen. Bonham is now playing in a shit cover-band.
Friday, March 16, 2012
Monday, March 12, 2012
Scott Morgan (The Rationals, Sonic's Rendezvous Band) Is Ailing
Respect - and healing energy - for Scott Morgan
Scott Morgan from the Ann Arbor band The Rationals, in 1993. (Detroit News archive) |
Morgan, who like Bob Seger, Iggy Pop, and soul singer Deon Jackson, came out of Ann Arbor's Pioneer High, produced many fine nationally-released singles with his group the Rationals , including a Cameo Parkway-released cover of Otis Redding's "Respect" (released in 1966, a year before Aretha Franklin 's version) evincing a garage band sound, and soulful ballads such as "I Need You."
By Susan Whitall and Chuck Bennett, The Detroit News
Sunday, March 11, 2012
Bootleg Time: Kings Of Leon - 9:30 Club, Washington DC (2005)
Before KoL were an emo band, they were a helluva Indie/Southern Rock band. This was the second KoL show I went to - the first was as the opener for the headlining Strokes - and they continued to impress me with their alt/indie approach to foot-stomping hard Southern Rock. Sadly, I have since refused to see them again - not out of an immature "they changed!" sense of betrayal - but they simply don't make music I enjoy anymore.
My wife is in love with this band and drooled from the balcony front row the entire time. I hope you dig this as much as we did!
The opening act was the Secret Machines, and that was the LOUDEST concert I have ever heard!! That show is still available at www.NPR.org, so you should go and grab it if you are into 'em!
The opening act was the Secret Machines, and that was the LOUDEST concert I have ever heard!! That show is still available at www.NPR.org, so you should go and grab it if you are into 'em!
I captured this 65kbps stream as an .aiff file, so don't expect high quality. What you CAN expect is the only known recording of this show in circulation.
I have also included the front cover-art, some pics from that night, and a
scan of the ticket stub. Additionally, I have included NPR's 23-minute
interview.
01 NPR intro
02 Molly's Chambers
03 Taper Jean Girl
04 Pistol of Fire
05 Wasted Time
06 Razz
07 Bucket
08 Soft
09 Milk
10 Rememo
11 4 Kicks
12 Velvet Snow
13 King of the Rodeo
14 Where Nobody Knows
15 California Waiting
16 Spiral Staircase
17 Happy Alone
18 Trani
-----
19 NPR break for encore
-----
20 Holy Roller Novocaine
21 Head to Toe
22 Slow Night, So Long
23 NPR outro
Petition: A Proper Release For the Unearthed "Sheila Take A Bow"
By way of...
and...
In January 1987 the Smiths recorded what was to prove their final
session with longtime producer John Porter, a rousing and sparkling take
on their hit single "Sheila Take A Bow". The version recorded with
Porter is one of the greatest showcases of Johnny Marr's guitar genius. For reasons only known to the band, they then scrapped the Porter
recording and redid the track from scratch with producer Stephen Street,
resulting in the version known and loved by millions.
In 2010, an astounding set of unknown Smiths sessions was unearthed and
saw dissemination through fan websites and at least one bootleg physical
release. Among these tracks was the long-thought-destroyed Porter
recording of "Sheila Take A Bow", in true studio and official release-ready quality.
You can stream this version over at Soundcloud.
It is our belief that, with the general renewed interest in the Smiths
of late, and the expected back catalog reissues in the pipeline, this
version of "Sheila Take A Bow" would make a fantastic and exciting
single if released as such by Rhino / Warner Bros. Backed with at least
one of the other rare tracks unearthed in 2010, this would be a release
for the ages.
session with longtime producer John Porter, a rousing and sparkling take
on their hit single "Sheila Take A Bow". The version recorded with
Porter is one of the greatest showcases of Johnny Marr's guitar genius. For reasons only known to the band, they then scrapped the Porter
recording and redid the track from scratch with producer Stephen Street,
resulting in the version known and loved by millions.
In 2010, an astounding set of unknown Smiths sessions was unearthed and
saw dissemination through fan websites and at least one bootleg physical
release. Among these tracks was the long-thought-destroyed Porter
recording of "Sheila Take A Bow", in true studio and official release-ready quality.
You can stream this version over at Soundcloud.
It is our belief that, with the general renewed interest in the Smiths
of late, and the expected back catalog reissues in the pipeline, this
version of "Sheila Take A Bow" would make a fantastic and exciting
single if released as such by Rhino / Warner Bros. Backed with at least
one of the other rare tracks unearthed in 2010, this would be a release
for the ages.
Saturday, March 10, 2012
Syl Sylvain Does New York Dolls Radio Podcast!
I just discovered this (give it a few seconds to load). Looks like Syl is creating his own Dolls podcast. Here is the description for this one:
Sylvain Sylvain dj's & kicks off this first broadcast that promises
to be a killer set of New York Dolls songs, featuring musicians now
& then that played in the band. Tunes in this set: Personality Crisis, St. Valentine's day massacre
show (15 February 1974), Trash, Cauze I Sez So (live BBC), Private World, and more...
My Old Crap: Best. Heater. Ever.
After
working at the Cleveland Museum of Natural History for a while, I met
this chick from one of the departments named Rachel. I needed a
roommate to share the rent and she seemed pretty stable, so she moved in. Well, this chick was anything but stable.
She
was sort of a hippie and liked to dance around the house topless. Not
bad, ya say? Well, I wouldn't touch this chick with YOUR 10' pole! She
had a crush on this guy in the museum's geology department who was
cheating on his wife with hookers. Let me repeat that: Crush on
married guy who screwed hookers. She was a frickin' nutcase.
After
a couple months she jumped ship and moved in with him, only to move out
of HIS place a little while later. When she bolted from my place, she
left THIS space heater, which could heat a 12 story building in about
five minutes - without making any noise. After about 14 years, I think
it is time to part ways with it. Thanks for the mammaries, Rachel.
Thursday, March 8, 2012
Sunday, March 4, 2012
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